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Robert Lazzarini
Robert Lazzarini (born September 22, 1965 in Denville, New Jersey) is an American artist who lives and works in New York. He has been exhibited nationally and internationally since 1995 and is included in major collections such as the Hirshhorn Museum and Sculpture Garden, Washington, D.C.; the Whitney Museum of American Art, New York; and the Walker Art Center, Minneapolis.
== Introduction ==
Primarily a sculptor, Lazzarini is best known for making common objects that have been subjected to compound distortions which have the effect of confusing visual and haptic space, or rather complicating the space of pictures and the space of things. Lazzarini also alters the physical spaces in which these objects are seen—the "ground" to the object's "figure"—which adds to the "disorienting"〔Benjamin Genocchio, "The Exhibition That Couldn't Shoot Straight," ''The New York Times'', June 19, 2009〕〔Mark B. N. Hansen, ''New Philosophy for New Media'' (Cambridge: The MIT Press, 2003)〕 effect that the work exerts on its audience. Offering no ideal point of view and so compelling its viewers to walk around the work, Lazzarini's sculptures trace their lineage back to the 1960s, minimalism and to the introduction of phenomenology into the discourse of art.〔Joanna Marsh, "Looking Beyond Vision: On Phenomenology, Minimalism and the Sculptures of Robert Lazzarini," in ''Robert Lazzarini: Seen/Unseen'' (Charlotte: Mint Museum of Art, 2006)〕 Additionally, all of Lazzarini's sculptures are created out of the same materials as the things on which they are based; for example, the ''skulls'' (2001), which Lazzarini first exhibited at the Whitney Museum of American Art, were created out of cast bone.〔Katie Sonnenborn, "Interview with Robert Lazzarini," ''Museo'' Issue 12〕
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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